The World I'm Going To Hell For, by Nathan Micay

The World I'm Going To Hell For

by Nathan Micay

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bigbiggiebig This effort is bloody brilliant. The sound design shown here is fantastic. Mr Micay is displaying his not inconsiderable creative muscles to full effect.

Mister Meows The constrained palette of instruments works really well, and might even make this a bit better than Blue Spring: less a range of tracks and more a unified object. No single big banger but a block of tracks that work well as one. Favorite track: A Razor's Edge Requiem.

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1.	Tuning the Strings 04:38	buy track
2.	Who Shaves The Barber 03:54	buy track
3.	A Razor's Edge Requiem 06:27	buy track
4.	A Beginning is a Delicate Time 03:42	buy track
5.	Natey, Get On Your Horse 02:16	buy track
6.	And Relief Washes Over Me, In An Awesome Way 04:11	buy track
7.	For The Hawk Of The Millenium Empire 02:35	buy track
8.	Billing Service 02:16	buy track
9.	If The World's Still Here On Monday 03:57	buy track
10.	Severance 01:58	buy track
11.	Never Rhythm Game 03:18	buy track
12.	Panz 04:38	buy track
13.	V 05:12	buy track

about

A strikingly contemporary political overture tape of 100% original music composed by Nathan Micay with his cello, viola, violin and distortion pedal.

Mastered by Kevin McPhee at East End Mastering

Originally Released on a 100 piece cassette edition by BLEEP Dec 2019

"It is months after that fateful day in the forest. GVMT forces have moved swiftly and with brutal force. The freedom of youth culture is being stripped away, inch by inch. Still, untold thousands maintain their dedication to the cause. Previously thought closed lines of communication have been discovered on old radio frequencies. Ideas and music are once again being passed around. Here is one of those illegal transmissions."
"As the world becomes more engulfed by outdated rhetoric spoken by outdated humans in power, this fictional universe seems less far off. I imagine a future where we have had to return to more classical instruments and modes of musical expression. As such, I've combined my own recordings of myself playing the viola, violin and cello with warped electronics. No midi strings used. We are in a transitional time with the future uncertain. Let's fucking get it"

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released May 1, 2020

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LUCKYME® London, UK

"...it’s folk music it’ll never die”

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